The film critic Borja Castillejo Calvo reviews TEMPO ADAGIO screened in the Paris Experimental Film Festival

The film critic Borja Castillejo Calvo reviews TEMPO ADAGIO screened in the Paris Experimental Film Festival.

TEMPO ADAGIO was selected from almost 1300 entries to be one of 32 finalist to be shown at the Festival des Cinémas Différents et Expérimentaux in Paris on the 13th October 2023.

Our 16mm film TEMPO ADAGIO selected for “Festival des Cinémas Différents et Expérimentaux de Paris”

Ewan Golder and Kate Beaugié collaborative 16mm film is selected for the international competition of the 25th edition of the “Festival of Different and Experimental Cinemas of Paris” Sept/Oct 2023

EQUINOX @ Laurent Delaye Gallery

KATE BEAUGIÉ AND CATHY ROGERS 18 MARCH – 10 APRIL 2023

The Laurent Delaye Gallery is delighted to announce the duo exhibition Equinox with Kate Beaugié and Cathy Rogers.  Both artists are multi-disciplinary experimental practitioners based in Kent. This exhibition focuses on their photogram works, with some selected other mediums.

WINTER WORKS

My last house exhibition in my wonderful flat, that I’ve lived in for almost 15 years.

Featuring a new mural, the APPLIED PURE photogram print series, new oil paintings, life drawings and other works for sale.

Film TEMPO ADAGIO

A music film by Ewan Golder & Kate Beaugié

Featuring the SACCONI QUARTET playing Ludwig van Beethoven’s String Quartet no. 14 in C♯ minor, Opus 131 | Movement 1: Adagio ma non troppo e molto espressivo

Documentary Film: Music For A Later Time by Nathan Eaton-Baudains

In response to my residency event with the Sacconi Quartet BEETHOVEN ON THE BEACH, Nathan Eaton-Baudains (mistereb) made this 13 minute documentary about the formation of the ideas behind the project.

I’m so honoured and touched by this brilliant and succinct piece of film making.

Beethoven on the Beach | collaboration with the Sacconi Quartet

As part of the Sacconi Residency Weekend, I have been invited to collaborate for one of the events. I interpreted this as an opportunity to re-contextualise the listening experience of classical music. Using the acoustic nature of the medium of the quartet to its advantage by relocating the quartet out of the concert space and placing them directly into the forces of nature.